There’s almost always an awesome film coming out on Blu-Ray or DVD each month, so which ones should you pay attention to this month?
AMERICAN HUSTLE and GRAVITY lead the Oscar nominations. 12 YEARS A SLAVE close behind. And what’s ALONE YET NOT ALONE?
Members of the motion-picture academy could begin voting for the Oscars as early as Dec. 27, and today marks the final day on which they can turn in their ballots. In other words, nothing that happens after today – save for some kind of technical glitch with the electronic voting
Forgive me for cribbing that movie quote, a line you couldn’t escape – believe me, I tried – upon the release of Despicable Me in 2001. It aptly describes the film: not much in the way of story, little more than an excuse for androgynous yellow creatures to spew gibberish.
Edit: This article once stated that Judi Dench was a musical or comedy contender at the Golden Globes for her work in Philomena. However, she and the film will compete in the drama categories. This week saw not only the Gotham Awards ceremony, but also the New York Film Critics
The first-ever screening of David O. Russell’s American Hustle took place on Sunday. Word on the film ranges from decent to terrific, but the one aspect on which everyone seemed to agree: Jennifer Lawrence. Last year’s best actress winner apparently steals the movie with her scenes as the wife of
With around $36.6 million, Thor: The Dark World again won the box office, but competition for the number one spot was surprisingly heated, so there go the “hammer” and “clobber” puns I would have otherwise used. Malcolm D. Lee’s The Best Man Holiday, sequel to 1999’s The Best Man, more
Awards, Fests, and Campaigns Disney will push Saving Mr. Banks, which had a great stateside debut at the AFI Fest, as a drama at the Golden Globes. Most of us thought the film, which examines Walt Disney and P.L. Travers’ disagreements about 1964’s Mary Poppins, would contend in the musical
The movie world is all about the actors, though the occasional director, like Peter Jackson, George Lucas, or Steven Spielberg, gets lucky every now and then. Among the cinematic minds who almost always the short end of the stick, however, are the writers, but The Hollywood Reporter gives them the
Blue is the Warmest Color, Abdellatif Kechiche’s drama about a romance between two young women, took to four screens this weekend and opened with $100,316. That’s $25,079 for each screen, a better average than Michael Haneke’s Amour, the drama about an elderly woman and her husband that earned five Oscar
Surprise: Another film we thought would contend for Oscars this year got bumped to next year, as Sony moved The Monuments Men to 2014. Apparently there wasn’t enough time to finish the visual effects. This move might give the distributor’s upcoming American Hustle more room to breathe. Monuments director George
Cate Blanchett got a tribute on Wednesday, Oct. 2 at the New York Film Festival. That and Blue Jasmine director Woody Allen’s personal shout-out surely gave more credence to her already-strong best actress campaign. Of course, Blanchett’s perceived rival for the Oscar, Sandra Bullock, got a boost of her own
We Oscar obsessives discuss the Academy Awards throughout the year, but the Toronto International Film Festival kicks off what we refer to as the Oscar season – and with good reason, as we have lots of ground to cover this week. Bill Condon’s The Fifth Estate kicked off the fest with
Alfonso Cuarón’s Gravity kicked off the Venice Film Festival earlier today. By all accounts, it’s a great film that looks like one to beat at the Oscars, particularly for Cuarón in the director race, Sandra Bullock in the best actress race, and DP Emmanuel Lubezki in the cinematography category. Stephen Frears’ Philomena could