As you surely know by now, Alejandro González Iñárritu’s Birdman and Wes Anderson’s The Grand Budapest Hotel lead the nominations for the 87th Annual Academy Awards with nine bids each. But right now, we’re all about that snub, and of course, there wasn’t just one “snub.” This column could dedicate
More than just a true-crime story or a character study, FOXCATCHER exposes the central lie of the American Dream.
It’s the time of the year many movie lovers fear but fills others with cheer. Folks, the season’s kicking into gear. Alejandro González Iñárritu’s Birdman hits theaters across the United States this weekend, while Damien Chazelle’s Whiplash gets an expansion to about 400 screens. Bennett Miller’s Foxcatcher and Tommy Lee
Stiles White’s low-budget horror flick Ouija barely won the weekend box office over Nightcrawler – Dan Gilroy’s takedown of today’s entertainment press, but the real story of the weekend is Alejandro González Iñárritu’s Birdman. Following raves out of the Venice Film Festival, Telluride Film Festival, and New York Film Festival,
Christopher Nolan’s Interstellar recently screened for select bloggers and critics. Reactions seem to be all over the place, but it could end up being the big spectacle contender – because what else is there, honestly? Guess we’re still looking for “the one to beat,” assuming that we haven’t found it
Rupert Wyatt’s The Gambler will have its world premiere on Nov. 10 at this year’s AFI Fest – more specifically, in the Dolby Theatre. The remake of the 1974 drama that earned James Caan a Golden Globe nomination stars Mark Wahlberg, Brie Larson, Jessica Lange, Michael Kenneth Williams, and John
We already knew that Disney had big plans for Into the Woods – Rob Marshall’s big-budget adaptation of the classic Stephen Sondheim musical – but plans for the Oscar campaign now seem settled (though everything is always subject to change): Emily Blunt and James Corden – who play the Baker’s
Chris Rock’s Top Five seemed to be more of a commercial prospect when distributors were fighting for get U.S. rights at the Toronto International Film Festival. However, winning bidder Paramount might also have Oscar on the mind: Five hits select locations on Dec. 5 and theaters nationwide the following weekend.
Morten Tyldum’s The Imitation Game took the Toronto International Film Festival’s audience award earlier this week. The film won over runners-up Isabel Coixet’s Learning to Drive and Theodore Melfi’s St. Vincent; people had pegged James Marsh’s The Theory of Everything as a contender, too. Gold Derby reports that 25 of
Last time I checked in, Steve McQueen’s 12 Years a Slave had just taken best picture, best supporting actress for Lupita Nyong’o, and best adapted screenplay for John Ridley. Of course, quite a bit has changed since then; it’s time to look ahead to this year’s Oscars, but not without
Another twist hit awards-watchers last week as Sony Pictures Classics bumped Bennett Miller’s Foxcatcher out of its 2013 lineup – and not too long after an impressive teaser leaked. Maybe SPC simply wants its potential Oscar pony to avoid the current best picture front-runner. As Sasha Stone of Awards Daily
As if it needed another boost, Steve McQueen’s 12 Years a Slave won the Toronto International Film Festival’s audience award. The runners-up were Stephen Frears’ Philomena and Denis Villeneuve’s Prisoners. Expect the latter to be the big ticket this weekend as its only new competition comes in the form of
We Oscar obsessives discuss the Academy Awards throughout the year, but the Toronto International Film Festival kicks off what we refer to as the Oscar season – and with good reason, as we have lots of ground to cover this week. Bill Condon’s The Fifth Estate kicked off the fest with
The Telluride Film Festival came to a close on Monday. Of course, the festival didn’t end without showcasing a number of potential Oscar contenders. Films like J.C. Chandor’s All is Lost, the Coen Brothers’ Inside Llewyn Davis, and Alexander Payne’s Nebraska already played at Cannes; the stateside premieres led to
The strong opening for Lee Daniels’… Lee Daniels’ The Butler came as less than a surprise, but what does it mean for the Oscars? If nothing else, expect Oprah Winfrey to be competitive for the supporting actress Oscar. She could easily win the Golden Globe, but she might have difficulty