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Christopher Nolan

Dancing Groot
FeaturesMovie ReviewMovies

This year produced five films that restored our faith in the cinematic experience. Can you guess them all?

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FeaturesMoviesOscar Watching

The “official” kickoff of the awards season may have been last week, but it more or less showed us that Robert Duvall, Chris Rock, and Shailene Woodley will hit the campaign trail harder than we expected… Regardless, the awards part of awards season kicks off over the next two weeks.

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FeaturesMoviesOscar Watching

It’s the time of the year many movie lovers fear but fills others with cheer. Folks, the season’s kicking into gear. Alejandro González Iñárritu’s Birdman hits theaters across the United States this weekend, while Damien Chazelle’s Whiplash gets an expansion to about 400 screens. Bennett Miller’s Foxcatcher and Tommy Lee

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FeaturesMoviesOscar Watching

Christopher Nolan’s Interstellar recently screened for select bloggers and critics. Reactions seem to be all over the place, but it could end up being the big spectacle contender – because what else is there, honestly? Guess we’re still looking for “the one to beat,” assuming that we haven’t found it

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FeaturesMoviesOscar Watching

Rupert Wyatt’s The Gambler will have its world premiere on Nov. 10 at this year’s AFI Fest – more specifically, in the Dolby Theatre. The remake of the 1974 drama that earned James Caan a Golden Globe nomination stars Mark Wahlberg, Brie Larson, Jessica Lange, Michael Kenneth Williams, and John

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Movies

We already knew that Disney had big plans for Into the Woods – Rob Marshall’s big-budget adaptation of the classic Stephen Sondheim musical – but plans for the Oscar campaign now seem settled (though everything is always subject to change): Emily Blunt and James Corden – who play the Baker’s

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FeaturesMoviesOscar Watching

J.C. Chandor’s A MOST VIOLENT YEAR will kick off the AFI Film Festival. How will this affect its Oscar chances?

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FeaturesMoviesOscar Watching

Chris Rock’s Top Five seemed to be more of a commercial prospect when distributors were fighting for get U.S. rights at the Toronto International Film Festival. However, winning bidder Paramount might also have Oscar on the mind: Five hits select locations on Dec. 5 and theaters nationwide the following weekend.

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FeaturesMoviesOscar Watching

Morten Tyldum’s The Imitation Game took the Toronto International Film Festival’s audience award earlier this week. The film won over runners-up Isabel Coixet’s Learning to Drive and Theodore Melfi’s St. Vincent; people had pegged James Marsh’s The Theory of Everything as a contender, too. Gold Derby reports that 25 of

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FeaturesMoviesOscar Watching

David Dobkin’s The Judge – starring Robert Downey Jr. and Robert Duvall – was the first film to, officially, make its case at the Toronto International Film Festival when it kicked off the fest last Thursday night. Well, the jury reached a guilty verdict… Enough courtroom puns, though – what

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MoviesOscar Watching

Last time I checked in, Steve McQueen’s 12 Years a Slave had just taken best picture, best supporting actress for Lupita Nyong’o, and best adapted screenplay for John Ridley. Of course, quite a bit has changed since then; it’s time to look ahead to this year’s Oscars, but not without

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MoviesTrailers

The first full trailer for Christopher Nolan’s new film Interstellar is here and it’s got thrills and emotion.

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The Prestige
InterviewsMovies

Author Christopher Priest opens up about his new novel and the film adaptation of The Prestige.

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FeaturesMovies

It’s a new year and that means a whole big batch of new movies! 2014 is sure to make any film lover excited!

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MoviesTrailers

Christopher Nolan has become a director talented enough to get butts in theater seats off his name alone. Matthew McConaughey has been on a fantastic streak lately with the likes of Mud, Magic Mike, Killer Joe, and more recently Dallas Buyers Club and The Wolf of Wall Street. That streak looks to be extending with his

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Movie Review

It’s not fair to say that Man of Steel is a boring film, or even a bad film, because it’s not. It’s an ironic film, because the action that takes over the latter third of the movie is far less engaging and powerful than the moments when we’re simply given the opportunity to learn who Superman is and what he represents.

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